Oil On Canvas, Real Flavor of Old Masters

All Julius Kronberg 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
80585  
Cupid with a Bow, Julius Kronberg
  		 Cupid with a Bow   Date 1885(1885) Medium Oil on canvas Dimensions 172 x 111 cm (67.7 x 43.7 in) cjr
84792  
Cupid with a Bow, Julius Kronberg
  		 Cupid with a Bow   1885(1885) Medium Oil on canvas Dimensions 172 x 111 cm (67.7 x 43.7 in) cyf
85946  
David and Saul, Julius Kronberg
  		 David and Saul   Date 1885(1885) Medium Oil on canvas Dimensions 298 x 220 cm (117.3 x 86.6 in) cjr
90134  
David and Saul, Julius Kronberg
  		 David and Saul   1885(1885) Medium oil on canvas Dimensions 298 x 220 cm (117.3 x 86.6 in) cyf
49502  
Jaktnymf and veneer, Julius Kronberg
  		 Jaktnymf and veneer   mk198 1875 Nationalmuseum,Stockholm
64749  
jaktnymf och fauner, Julius Kronberg
  		 jaktnymf och fauner   1875. nationalmuseum se
80928  
Nymph and Fauns, Julius Kronberg
  		 Nymph and Fauns   Date 1875(1875) Medium Oil on canvas Dimensions 269 x 130 cm (105.9 x 51.2 in) cjr
85049  
Nymph and Fauns, Julius Kronberg
  		 Nymph and Fauns   1875(1875) Medium Oil on canvas Dimensions 269 x 130 cm (105.9 x 51.2 in) cyf
Julius Kronberg
1850-1921,Swedish painter and illustrator. He was educated at the Konstakademi in Stockholm, where his teachers were J. C. Boklund (1817-80), August Malmstr?m and Johan Fredrik H?ckert. In 1873 he travelled on a scholarship to D?sseldorf, and in the following year he went to Munich. There he was strongly influenced by the Old Masters (especially Rubens), as well as Hans Makart robustly theatrical style. Together they shaped Kronberg early works, for example Hunting Nymph and Fauns (1875; Stockholm, Nmus.), which caused a sensation when it was exhibited in Stockholm in 1876 and established his reputation. Kronberg left Munich in 1877 and settled in Rome, where, between trips to Egypt and Tunisia, he stayed until 1889, when he returned to Stockholm. During his years in Rome his style became increasingly austere. His exuberant Munich manner was replaced by a colder illusionism, which emphasized the historical details of subjects taken from the Bible and Shakespeare. Typical is David and Saul (1885; Stockholm, Nmus.), which reflected his study of Lawrence Alma-Tadema.



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